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CV-07 - Visual Hierarchy and Layout

Mapmaking, by digital or manual methods, involves taking complex geographic information and building a visual image with many components. Creating effective maps requires an understanding of how to construct the elements of the map into a coherent whole that executes the communicative purpose of the map. Visual hierarchy and layout are the cartographer’s tools for organizing the map and completing the map construction. The cartographer layers the mapped geography in an image into a visual hierarchy emphasizing some features and de-emphasizing others in vertical ordering of information. Likewise, the cartographer arranges the components of a map image—title, main map, inset map, north arrow, scale, legend, toolbar, etc.—into a layout that guides the reader’s eye around the horizontal plane of the map. The visual hierarchy and layout processes work together to create the structure of the map image.

CV-26 - Cartography and Power

Over twenty five years ago, Brian Harley (1989, p. 2) implored cartographers to “search for the social forces that have structured cartography and to locate the presence of power – and its effects – in all map knowledge.” In the intervening years, while Harley has become a bit of a touchstone for citational practices acknowledging critical cartography (Edney, 2015), both theoretical understandings of power as well as the tools and technologies that go into cartographic production have changed drastically. This entry charts some of the many ways that power may be understood to manifest within and through maps and mapmaking practices. To do so, after briefly situating work on cartography and power historically, it presents six critiques of cartography and power in the form of dialectics. First, building from Harley’s earlier work, it defines a deconstructivist approach to mapping and places it in contrast to hermeneutic phenomenological approaches. Second, it places state-sanctioned practices of mapping against participatory and counter-mapping ones. Third, epistemological understanding of maps and their affects are explored through the dialectic of the map as a static object versus more processual, ontogenetic understandings of maps. Finally, the chapter concludes by suggesting the incomplete, heuristic nature of both the approaches and ideas explored here as well as the practices of critical cartography itself. Additional resources for cartographers and GIScientists seeking to further explore critical approaches to maps are provided.

CV-27 - Cartography and Art

The intersections between art and cartography go far beyond the notions of design and illustration, since mapmaking invariably has multiple cultural, social, and political dimensions. Considering this broader perspective, this entry provides a review of these different contemporary intersections, by exploring three main types of relationships: 1) cartography influenced by artistic practices; 2) map art or maps embedded in artistic practices; and 3) cartography at the interface between art and places. These will be discussed in detail following a brief overview of the main historical markers from which these types of relationships between art and cartography have emerged.

CV-06 - Map Projections

Map projection is the process of transforming angular (spherical / elliptical) coordinates into planar coordinates. All map projections introduce distortion (e.g., to areas, angles, distances) in the resulting planar coordinates. Understanding what, where, and how much distortion is introduced is an important consideration for spatial computations and visual interpretation of spatial patterns, as well as for general aesthetics of any map.

CV-38 - Usability Engineering & Evaluation

In this entry, we introduce tenets of usability engineering (UE) and user-centered design (UCD), interrelated approaches to ensuring that a map or visualization works for the target use. After a general introduction to these concepts and processes, we then discuss treatment of UE and UCD in research on cartography and geographic visualization. Finally, we present a classification of UE evaluation methods, including a general overview of each category of method and their application to cartographic user research.  

CV-32 - Cartograms

Cartograms are used for thematic mapping. They are a particular class of map type where some aspect of the geometry of the map is modified to accommodate the problem caused by perceptually different geographies. Standard thematic maps, such as the choropleth, have inherent biases simply due to the fact that areas will likely be very different in size from one another. The tendency to see larger areas as more important, regardless of the variable being mapped, can cause confusion. Cartograms tackle this by modifying the geography, effectively normalizing it to create a map where each area takes on a new shape and/or size based on the variable being mapped. Cartograms therefore depict geographical space diagrammatically as they lose their relationship with true coordinate system geometry. There are four main types of cartogram which each represent the mapped variable differently – non-contiguous, contiguous, graphical and gridded.  

CV-14 - Terrain Representation

Terrain representation is the manner by which elevation data are visualized. Data are typically stored as 2.5D grid representations, including digital elevation models (DEMs) in raster format and triangulated irregular networks (TINs). These models facilitate terrain representations such as contours, shaded relief, spot heights, and hypsometric tints, as well as automate calculations of surface derivatives such as slope, aspect, and curvature. 3D effects have viewing directions perpendicular (plan), parallel (profile), or panoramic (oblique view) to the elevation’s vertical datum plane. Recent research has focused on automating, stylizing, and enhancing terrain representations. From the user’s perspective, representations of elevation are measurable or provide a 3D visual effect, with much overlap between the two. The ones a user can measure or derive include contours, hypsometric tinting, slope, aspect, and curvature. Other representations focus on 3D effect and may include aesthetic considerations, such as hachures, relief shading, physiographic maps, block diagrams, rock drawings, and scree patterns. Relief shading creates the 3D effect using the surface normal and illumination vectors with the Lambertian assumption. Non-plan profile or panoramic views are often enhanced by vertical exaggeration. Cartographers combine techniques to mimic or create mapping styles, such as the Swiss-style.

CV-10 - Typography

The selection of appropriate type on maps, far from an arbitrary design decision, is an integral part of establishing the content and tone of the map. Typefaces have personalities, which contribute to the rhetorical message of the map. It is important to understand how to assess typefaces for their personalities, but also to understand which typefaces may be more or less legible in a labeling context. Beyond the choice of typeface, effective map labels will have a visual hierarchy and allow the user to easily associate labels to their features and feature types. The cartographer must understand and modify typographic visual variables to support both the hierarchy and label-feature associations.

CV-18 - Representing Uncertainty

Using geospatial data involves numerous uncertainties stemming from various sources such as inaccurate or erroneous measurements, inherent ambiguity of the described phenomena, or subjectivity of human interpretation. If the uncertain nature of the data is not represented, ill-informed interpretations and decisions can be the consequence. Accordingly, there has been significant research activity describing and visualizing uncertainty in data rather than ignoring it. Multiple typologies have been proposed to identify and quantify relevant types of uncertainty and a multitude of techniques to visualize uncertainty have been developed. However, the use of such techniques in practice is still rare because standardized methods and guidelines are few and largely untested. This contribution provides an introduction to the conceptualization and representation of uncertainty in geospatial data, focusing on strategies for the selection of suitable representation and visualization techniques.

CV-36 - Geovisual Analytics

Geovisual analytics refers to the science of analytical reasoning with spatial information as facilitated by interactive visual interfaces. It is distinguished by its focus on novel approaches to analysis rather than novel approaches to visualization or computational methods alone. As a result, geovisual analytics is usually grounded in real-world problem solving contexts. Research in geovisual analytics may focus on the development of new computational approaches to identify or predict patterns, new visual interfaces to geographic data, or new insights into the cognitive and perceptual processes that users apply to solve complex analytical problems. Systems for geovisual analytics typically feature a high-degree of user-driven interactivity and multiple visual representation types for spatial data. Geovisual analytics tools have been developed for a variety of problem scenarios, such as crisis management and disease epidemiology. Looking ahead, the emergence of new spatial data sources and display formats is expected to spur an expanding set of research and application needs for the foreseeable future.